• apocalyptic archaeology

    Apocalyptic Archaeology features works that are depictions of a ruined world. The works are meditations on the brevity of life, and reveal the awareness of passing time, erosion and decay, and the ultimate deterioration of manmade artifacts, such as architecture, interiors, and landscapes.

  • dreams and memories

    Dreams and Memories includes works that explore the intangible and inescapable realm of the psyche. The artists pose questions about the nature and meaning of recalled experiences, and about the way in which dreams and memories intersect and even morph from one level of consciousness to another.

  • voyeurs/provocateurs

    Voyeur/Provocateurs includes subversively witty scenes-satirical commentaries on art, culture, and politics. These works make the viewer into Peeping Toms that spy on secret scenes.

  • unnatural nature

    Unnatural Nature features work by artists that recreate natural environments using artificial materials and found objects which fool us into believing they are real places.view

category:  Unnatural Nature
Modern miniature table and chairs in a midcentury bungalow
Entirely Familiar
I work in the realm of modern miniature design primarily in 1:12 scale -- one inch in a dollhouse is equivalent to one foot in the real world -- where I create scenes in my doll houses and then photograph them at close range to bring out their contemporary aesthetic. The photographs help transform the inches into feet -- the imagery appears entirely familiar, but then not what it seems. I post work on my blog, Call of the Small [], and a full repository of images are on Flickr [].

The majority of items in my scenes are 1:12 scale pieces of doll house furniture. Some are new, many are vintage midcentury modern, and they are made of either plastic, wood, or metal. I have 13 doll houses, and all are modern in style. To get a completely contemporary aesthetic, I often repurpose everyday items such as scrap paper, coasters, placemats, bowls, etc., as accents and furnishings. In addition to contributing to the realism of the scenes, they impart a textural, functional feel. I photograph without flash using a Nikon D3100 digital camera. I do not alter my photographs, except for straightening or cropping.